This video is part of Infinite Scroller by Jordi Viader Guerrero.
This video is part of Infinite Scroller by Jordi Viader Guerrero.
This event explored design tactics for collective music experiences during the pandemic and beyond, in collaboration with Rewire festival.
→This edition of For the Record looked into the interconnectivity of digital subcultures through the lens of K-pop and K-drama fandoms.
→This event examined and discussed the music video Apeshit by The Carters, also known as Beyoncé and Jay-Z.
→Part of the Porto Design Biennale 2021, For the Record: The Politics of Design in Music Video was a two-day programme of lectures and workshops on 23 and 24 July in Maus Hábitos and Casa da Arquitectura.
→Part of the Porto Design Biennale 2021, For the Record: The Politics of Design in Music Video was a two-day programme of lectures and workshops on 23 and 24 July in Maus Hábitos and Casa da Arquitectura.
→This online event looked at how local realities and changing notions of public space are represented in music videos.
→In this essay, Sary Zananiri unpacks the city of Jerusalem as subject of inspiration for artists, writers and musicians, well beyond the confines of Historical Palestine, and how the two conflicting Jerusalems, both heavenly and earthly, relate to one another.
→Deep Decisions? investigates deepfake technology in music videos. A research project by KM Works.
→An essay by Jordi Viader Guerrero on Tik Tok and the politics of scrolling.
→Momtaza Mehri discusses the participation of young Eastern African women in K-pop culture, and how it reveals the interconnectedness of digital subcultures from the mid-2000s to now, on the basis of iconic K-pop videos.
→Guus Beumer scrutinizes Justin Timberlake’s Super Bowl Halftime Show and detects a new role for the audience, with far-reaching consequences for design disciplines.
→The screen might seem self-evident, but it is not. Essay on the geneaologies of the screen.
→This event examined and discussed the music video Apeshit by The Carters, also known as Beyoncé and Jay-Z.
→This online event looked at how local realities and changing notions of public space are represented in music videos.
→In this essay, Sary Zananiri unpacks the city of Jerusalem as subject of inspiration for artists, writers and musicians, well beyond the confines of Historical Palestine, and how the two conflicting Jerusalems, both heavenly and earthly, relate to one another.
→Deep Decisions? investigates deepfake technology in music videos. A research project by KM Works.
→An essay by Jordi Viader Guerrero on Tik Tok and the politics of scrolling.
→Momtaza Mehri discusses the participation of young Eastern African women in K-pop culture, and how it reveals the interconnectedness of digital subcultures from the mid-2000s to now, on the basis of iconic K-pop videos.
→Guus Beumer scrutinizes Justin Timberlake’s Super Bowl Halftime Show and detects a new role for the audience, with far-reaching consequences for design disciplines.
→The screen might seem self-evident, but it is not. Essay on the geneaologies of the screen.
→An essay by Jordi Viader Guerrero on Tik Tok and the politics of scrolling.
→The screen might seem self-evident, but it is not. Essay on the geneaologies of the screen.
→